GT Era

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Family overview
  • Display
  • Thin Oblique
  • Light Oblique
  • Regular Oblique
  • Medium Oblique
  • Bold Oblique
  • Heavy Oblique
  • Black Oblique
  • Text
  • Thin Oblique
  • Light Oblique
  • Regular Oblique
  • Medium Oblique
  • Bold Oblique
  • Heavy Oblique
  • Black Oblique
Subfamilies
  • Display Thin
    To sum up: the foundation of a flourishing modern school of architecture depends on the successful solution of a series of closely connected problems.
  • Display Thin Oblique
    This meant evolving goods specifically designed for mass-production. Our object was to eliminate every drawback of the machine without sacrificing any one of its real advantages.
  • Display Light
    It is evident, therefore, that the height-limit imposed by regulations is an irrational restriction which has hampered evolution in design.
  • Display Light Oblique
    In 1920, Albers joined the Weimar Bauhaus as a student and became a faculty member in 1922, teaching the principles of handicrafts.
  • Display Regular
    Throughout his career, he became proficient and innovative in the fields of photography, typography, sculpture, painting, printmaking, film-making, and industrial design.
  • Display Regular Oblique
    MARCEL BREUER (Ungarn), Dessau, Anhalt — Modell zu eine m Etagenhaus für Kleinwohnungen (1924)
  • Display Medium
    This meant evolving goods specifically designed for mass-production. Our object was to eliminate every drawback of the machine without sacrificing any one of its real advantages.
  • Display Medium Oblique
    Applicants were selected on the basis of their probable aptitudes, which were judged by the specimens of their work they were required to submit.
  • Display Bold
    This meant evolving goods specifically designed for mass-production. Our object was to eliminate every drawback of the machine without sacrificing any one of its real advantages.
  • Display Bold Oblique
    Bei der Betrachtung der Abbildungen dieses Buches vergegenwärtige man sich: Die knappe Ausnutzung von Zeit, Raum, Stoff und Geld in Industrie und Wirtschaft bestimmt entscheiden die Faktoren der Gesichtsbildung für alle modernen Bauorganismen.
  • Display Heavy
    One proceeds by way of the uniformly compressed circle, of which the oval is a result, to free basic planes. These are, to be sure, without angles but, just as is possible in the case of angular forms,
  • Display Heavy Oblique
    Meyer favoured measurements and calculations in his presentations to clients, along with the use of off-the-shelf architectural components to reduce costs.
  • Display Black
    In 1920, Albers joined the Weimar Bauhaus as a student and became a faculty member in 1922, teaching the principles of handicrafts.
  • Display Black Oblique
    Let us assume it has been decided to erect free-standing blocks of flats on a north by south diagonal and that the site measures approximately 300 × 750 feet.
  • Settings
    Size
Typeface information

GT Era reimagines the warmth and idiosyncrasies of early grotesk typefaces for our own era. These pre-modernist tools were being pushed to their extremes in the radical designs of the modernist movements—like Bauhaus and De Stijl—of the period. The typeface shuns neutrality and embraces friction, championing recognition over uniformity and flavor over conformity.

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Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Era’s fonts:

  • SS01
  • Alternate g
Painting
Typeface Minisite
  • Visit the GT Era minisite to discover more about the typeface family’s history and design concept.