GT Era

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Subfamilies
  • Display Thin
    XVI. Der ästhetische Wert eines Kunstwerks ist abhängig vom Grade der Bestimmtheit der ästhetischen Akzente.
  • Display Thin Oblique
    We should accept nothing as predetermined, as constituted for eternity. Every firmly established, familiar thing can be shifted about and brought under a new and, primarily, unfamiliar order.
  • Display Light
    So much for technique! But what about beauty? The New Architecture throws open its walls like curtains to admit a plenitude of fresh air.
  • Display Light Oblique
    They became, for instance, the stimulus for a new typography; they affected photography, advertising, the motion picture, the theater, and have had many repercussions on our whole life today.
  • Display Regular
    Meyer favoured measurements and calculations in his presentations to clients, along with the use of off-the-shelf architectural components to reduce costs.
  • Display Regular Oblique
    So much for technique! But what about beauty? The New Architecture throws open its walls like curtains to admit a plenitude of fresh air.
  • Display Medium
    Throughout his career, he became proficient and innovative in the fields of photography, typography, sculpture, painting, printmaking, film-making, and industrial design.
  • Display Medium Oblique
    His style in architecture and consumer goods was to be functional, cheap and consistent with mass production.
  • Display Bold
    To sum up: the foundation of a flourishing modern school of architecture depends on the successful solution of a series of closely connected problems.
  • Display Bold Oblique
    Our modern system of production is imposed labor, a senseless pursuit, and, in its social aspects, without plan; its motive is to squeeze out profits to the limit. This in most cases is a reversal of its original purpose.
  • Display Heavy
    MARCEL BREUER (Ungarn), Dessau, Anhalt — Modell zu eine m Etagenhaus für Kleinwohnungen (1924)
  • Display Heavy Oblique
    Let us assume it has been decided to erect free-standing blocks of flats on a north by south diagonal and that the site measures approximately 300 × 750 feet.
  • Display Black
    In 1919, I lived in Vienna, lost among the depressed conformists of the postwar period. Coming from a farm in the agricultural center of Hungary, I was less intrigued with the baroque pompousness of the Austrian capital than with the highly developed technology of industrial Germany.
  • Display Black Oblique
    ERNST MAY, Mitarbeiter KAUFMANN, Frankfurt am Main, Siedlung Praunheim bei Frankfurt am Main (1926)
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Typeface information

GT Era reimagines the warmth and idiosyncrasies of early grotesk typefaces for our own era. These pre-modernist tools were being pushed to their extremes in the radical designs of the modernist movements—like Bauhaus and De Stijl—of the period. The typeface shuns neutrality and embraces friction, championing recognition over uniformity and flavor over conformity.

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Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Era’s fonts:

  • SS01
  • Alternate g
Painting
Typeface Minisite
  • Visit the GT Era minisite to discover more about the typeface family’s history and design concept.