GT Era
Family overview
- Display
- Thin Oblique
- Light Oblique
- Regular Oblique
- Medium Oblique
- Bold Oblique
- Heavy Oblique
- Black Oblique
- Text
- Thin Oblique
- Light Oblique
- Regular Oblique
- Medium Oblique
- Bold Oblique
- Heavy Oblique
- Black Oblique
Subfamilies
- Display ThinPainting, especially, has advanced with almost fantastic strides during the last decades, and it has only recently been freed from practical meaning and liberated from the necessity of responding to the many purposes it had earlier been forced to serve.
- Display Thin ObliqueOur modern system of production is imposed labor, a senseless pursuit, and, in its social aspects, without plan; its motive is to squeeze out profits to the limit. This in most cases is a reversal of its original purpose.
- Display LightLine Diagram 25: Linear structure of the picture “Little Dream in Red” (1925) by Kandinsky, Wassily.
- Display Light ObliqueIn addition to being a teacher, Albers was an active abstract painter and theorist, best known for his series Homage to the Square, in which he explored chromatic interactions with nested squares, meticulously recording the colors used.
- Display RegularIt is evident, therefore, that the height-limit imposed by regulations is an irrational restriction which has hampered evolution in design.
- Display Regular ObliqueThe prime essential for fruitful collaboration on the part of our pupils was a complete understanding of the aims that have inspired the New Architecture.
- Display MediumOne proceeds by way of the uniformly compressed circle, of which the oval is a result, to free basic planes. These are, to be sure, without angles but, just as is possible in the case of angular forms,
- Display Medium ObliqueEach of the various people looking at the cow sees her in a way which is related to his occupation and his talents. The butcher sees the cow primarily as so many pounds of meat, so many pounds of fat, and so many pounds of bones.
- Display BoldERNST MAY, Mitarbeiter KAUFMANN, Frankfurt am Main, Siedlung Praunheim bei Frankfurt am Main (1926)
- Display Bold ObliqueMeyer favoured measurements and calculations in his presentations to clients, along with the use of off-the-shelf architectural components to reduce costs.
- Display HeavyApplicants were selected on the basis of their probable aptitudes, which were judged by the specimens of their work they were required to submit.
- Display Heavy ObliqueHis style in architecture and consumer goods was to be functional, cheap and consistent with mass production.
- Display BlackXVI. Der ästhetische Wert eines Kunstwerks ist abhängig vom Grade der Bestimmtheit der ästhetischen Akzente.
- Display Black ObliqueBei der Betrachtung der Abbildungen dieses Buches vergegenwärtige man sich: Die knappe Ausnutzung von Zeit, Raum, Stoff und Geld in Industrie und Wirtschaft bestimmt entscheiden die Faktoren der Gesichtsbildung für alle modernen Bauorganismen.
- Settings
Typeface information
GT Era reimagines the warmth and idiosyncrasies of early grotesk typefaces for our own era. These pre-modernist tools were being pushed to their extremes in the radical designs of the modernist movements—like Bauhaus and De Stijl—of the period. The typeface shuns neutrality and embraces friction, championing recognition over uniformity and flavor over conformity.
Typeface features
OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Era’s fonts:
- SS01
- Alternate g
Painting
Typeface Minisite


- Visit the GT Era minisite to discover more about the typeface family’s history and design concept.

