GT Pressura

Family overview
  • Standard
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Mono
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Extended
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Standard Light
    Fragile, Keep Dry (with Broken Glass & Umbrella Graphic) 18" Image, 24"×24" Sheet
  • Standard Light Italic
    Turned away from it all like a blind man
  • Standard Text
    но-фантастический фильм в жанре антиутопии, снятый на киностудии
  • Standard Text Italic
    An intermodal container is a large standardized shipping container, designed and built for intermodal freight transport, meaning these containers can be used across different modes of transport – from ship to rail to truck – without unloading and reloading their cargo.
  • Standard Regular
    Do not break shrink wrap or remove packing list, Maintain the Integrity of Your Skid
  • Standard Regular Italic
    It’s the terror of knowing – What the world is about
  • Standard Medium
    This system used roller containers for transport by rail, truck and ship, in various configurations up to 5,500 kg (12,100 lb)
  • Standard Medium Italic
    Early versions of standardized containers were used in Europe
  • Standard Bold
    The Liverpool and Manchester Railway in the United Kingdom was one of these. "Simple rectangular timber boxes
  • Standard Bold Italic
    Uline Economy Storage File Boxes 200 lb. test RSC withstands rough handling tack 15" long boxes on Record Storage Racks and 24" long boxes on Bulk Storage Racks for neat, tidy storage.
  • Standard Black
    It’s the terror of knowing – What the world is about
  • Standard Black Italic
    Japan Post Service, Tokyo, Japan, 2007 Norio Kitamura
  • Settings
    Size
Typeface information

GT Pressura is inspired by metal type printing history as well as engineered letters stamped onto shipping boxes. It uses the visual gesture of ink spreading under pressure as a stylistic device, offering an alternative to more spindly typefaces of the digital age.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Cyrillic-alphabet languages: Abaza, Adyghe, Aghul, Avar, Bashkir, Balkar, Belarusian, Bosnian, Bulgarian, Buryat, Chechen, Chuvash, Crimean Tatar, Dargin, Dungan, Erzya, Ingush, Kabardian, Kalmyk, Karachay, Karakalpak, Kazakh, Khinalugh, Komi, Kumyk, Kyrgyz, Lak, Lezgian, Macedonian, Moldovan, Mongolian, Moksha, Nanai, Nogai, Ossetian, Russian, Rusyn, Rutul, Serbian, Tabasaran, Tajik, Tat, Tatar, Turkmen, Tuvan, Uyghur, Ukrainian, Uzbek

Further available languages: Greek, Vietnamese

Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Pressura’s fonts:

  • TNUM
  • Tabular Figures
13.07.2048
  • SS01
  • Alternate a
React
  • CASE
  • Case sensitive forms
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Typeface Minisite
  • Visit the GT Pressura minisite to discover more about the typeface family’s history and design concept.
GT Pressura in use