GT Ultra

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Family overview
  • Standard
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
  • Black Italic
  • Ultra
  • Median
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
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  • Ultra
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  • Ultra
Subfamilies
  • Standard Thin
    Martha Graham’s dancing and choreography exposed the depths of human emotion through movements that were sharp, angular, jagged, and direct.
  • Standard Thin Italic
    David Wojnarowicz: History Keeps Me Awake at Night
  • Standard Light
    Changing these variables produces thinner or bolder strokes, and smooth or toothed borders.
  • Standard Light Italic
    Martha Graham’s dancing and choreography exposed the depths of human emotion through movements that were sharp, angular, jagged, and direct.
  • Standard Regular
    This emphasizes the need to invert both the inputs and the output, as well as change the operator, when doing a substitution.
  • Standard Regular Italic
    Dualism contrasts with monism, which is the theory that there is only one fundamental kind, category of thing or principle.
  • Standard Bold
    She picked a hearty typeface that made the words declarative and secure and placed them on crew-neck shirts on the flat cotton plane across the sternum.
  • Standard Bold Italic
    Dualism contrasts with monism, which is the theory that there is only one fundamental kind, category of thing or principle.
  • Standard Black
    Martha Graham’s dancing and choreography exposed the depths of human emotion through movements that were sharp, angular, jagged, and direct.
  • Standard Black Italic
    This emphasizes the need to invert both the inputs and the output, as well as change the operator, when doing a substitution.
  • Standard Ultra
    Last weekend, stylish crowds lined up outside the same building, now the KW Institute of Contemporary Art, to celebrate the institution’s 30th birthday
  • Settings
    Size
Typeface information

GT Ultra dances between the worlds of sans and serifs, fusing calligraphy and construction. The versatile typographic system combines the centuries-old context of serif type with the dynamism of modern sans; challenging its own definition and questioning contemporary typographic expectation.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian,Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Ultra’s fonts:

  • SS01
  • Alternate g
Aggregates
Typeface Minisite
  • Visit the GT Ultra minisite to discover more about the typeface family’s history and design concept.
GT Ultra in use